Theatre Producing, Directing, & Designing

As Artistic Director of Seoul Shakespeare Company (SSC) starting in late 2014, I was the producer of all the company's shows and took on a number of additional roles, beginning with costume design for Titus Andronicus (2015), then adding text coaching, set design, and sound design/composition/music direction starting with Much Ado (2016), and finally adding lighting design and directing for King Lear (2019). Here is a look at my work in these areas, mostly with Seoul Shakespeare Company, but also with Speech of Fire Theatre Company in 2019 as well as our 2013 production of The Orderly with Probationary Theatre Company at the White Box Theatre. Click on each area below for more details.

For more about our SSC productions see: https://www.speechoffire.org/our-work-as-seoul-shakespeare

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Still from Much Ado crowdfunding video (2016)

-The Orderly (2019) / Garage (2019) (Produced in rep)

-King Lear (2019)

-The Merchant of Venice (2018)

-Garage (2017)

-The Winter's Tale (2017)

-Much Ado About Nothing (2016)

-Love & Despair, Programs 1 and 2 (2015)

-Titus Andronicus (2015)

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Photo by Kathryn Anne Dunn (King Lear, 2019)

-The Orderly (2019) (based on previous iterations of the show)

-King Lear (2019)

-The Orderly (2013) (based on previous iterations of the show)

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Photo by Robert Michael Evans (The Merchant of Venice, 2018)

-King Lear (2019)

-The Merchant of Venice (2018)

-The Winter's Tale (2017)

-Much Ado About Nothing (2016)

-Titus Andronicus (2015) (costumes only)

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Photo by Robert Michael Evans (King Lear, 2019)

-King Lear (2019)

-The Merchant of Venice (2018)

-The Winter's Tale (2017)

-Much Ado About Nothing (2016)

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Photo by Laura Jasinskaite (Much Ado, 2016)

-King Lear (2019)

-The Merchant of Venice (2018)

-Garage (2017) 

-The Winter's Tale (2017)

-Much Ado About Nothing (2016)

-Love & Despair, Program 2 (2015)

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Photo by Robert Michael Evans (The Orderly, 2019)

-King Lear (2019)

-The Orderly (2019) (based on previous iterations of the show)

-Garage (2019) (Loosely based on our 2017 run of the show)